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In a Low Country
by Moody Elbarasi
SHADE FURNACE
by J.H. Prynne
OTHERHOOD IMMINENT PROFUSION
by J.H. Prynne
THE FEVER'S END
by J.H. Prynne
HER AIR FALLEN
by J.H. Prynne
SEAN BONNEY'S COMMONS
by duckplex
PARKLAND
by J.H. Prynne
CHIAROSCURO
by chetana
OUR PARTY
by Caitlín Doherty
REVENTAR
by Justin Katko
Eastward Ho:
The Saga of Vitus Bering
by Jennifer Dunbar Dorn
Concepts & Conception in Poetry
by J.H. Prynne
The Internal Leg & Cutlery Preview
by Various authors
Remote Carbon
by Ryan Dobran
Fine Lament
by Rachel Warriner
Some New Growth
at the Temple or Lobe
by Rosa van Hensbergen
Songs for One Occasion
by Justin Katko
Array One
by Ian Heames
Kaloki Poems
by Jefferson Toal
Invocation
by Jo L. Walton
St. Beaumont Conservative Club
by Mahmoud Elbarasi
Superior City Song
by M. Sword & T. Skullface
We Are Real: A History
by C. Hind & P. Mildew
KAZOO DREAMBOATS
or, On What There Is
by J.H. Prynne
INSTAR ZERO
by Mike Wallace-Hadrill
International Egg and Poultry Review (Friends Magazine 2)
by Various authors
City Break Weekend Songs
by Posie Rider
GLOSS TO CARRIERS
by Ian Heames
COMMITMENT
by Marianne Morris
THAT MERCILESS AND MERCENARY GANG... (Friends Magazine 1)
by Various authors
FINITE LOVE
by The Two Brothers
All Our Futile Grief
by Billy Simms & Keith Tuma
CONTRANIGHT ESCHA BLACK
by Josh Stanley
DING DING
by Ryan Dobran
THE PARIS HILTON
by Keith Tuma
Xena Warrior Princess: The 7 Curses
by Francis Crot
(& Nrou Mrobaak)
A Discourse on Vegetation & Motion
by Frances Kruk
Let Baby Fall
by Tom Raworth
INVISIBLY TIGHT INSTITUTIONAL OUTER FLANKS...
by Various authors
wild ascending lisp
by Sara Crangle
Plantarchy 4
by Various authors
the church - the school - the beer
by cris cheek
Poétique des codes sur le réseau informatique: une investigation critique
by Camille Paloque-Bergés
Plantarchy 2
by Various authors
BEAR$BAREBEAR$
by Coupons-Coupons
Register For More
by 405-12-3456
She's Not a Manager
by 405-12-3456
Plantarchy 1
by Various authors
Realizing the Utopian Longing of Experimental Poetry
by Justin Katko
Holiday in Tikrit
by Keith Tuma & Justin Katko
Published 2012/2013
ISBN 978-1-4811052-9-3
£11.99, 593 pp.
Complete set (Books I-VI)
"Three months before her eighteenth birthday, in a city shrouded in snow, it's not just Myfanwy Morris's memory which may be about to betray her . . . Myfanwy and her bff Kitty find themselves sucked into the affairs of a mystical secret agency, Chancelhouse, as it tries to reinvent itself for the 21st century. Before long they have encountered Chancelhouse's arch-rivals, Veil . . ."
Here we have 600 pages of 37-point type full of super-power muses who by the power of touch can teach your muscles the kind of memory required to leap into a firefight with the agility of a mountain lion, or think with the criminal impatience of immanent tidal data, or expertly operate any recorded species of limb-mounted artillery, from Aztec hard-floor gun to etheric flamethrower fired naked and rabid at midnight on an Edinburgh playground. That city still bears the scars of this hilarious work of crime fiction, and I have never read more stunning descriptions of a community's astral planes. But why would you let anyone talk about astral planes unless their name was Jo (L.) Walton? Even our author's real name is detournement. Buy it or live forever.
Colin Herd (3am Magazine): ". . . a hyperreal comic thriller and, I’m pretty sure, one of the most urgent, smart and exciting fictional projects of the moment . . ."
Alison Croggon, on Books I-III: “If JG Ballard had written an Enid Blyton girl’s own adventure on Facebook under the influence of mind-altering drugs, he might have ended up with something like Invocation. Or maybe not. Jo L Walton’s hallucinatory anti-fantasy fantasy is a kind of Harry Potter for the Contemporary Poet, a neurological black comedy, a Clockwork Orange for the 21st century, a satire in which contemporary Britain dissolves in the acids of the hyperreal, a paranoid critique, a nonsense that constantly threatens an ambush by alarming lucidity. Being like everything, it’s not like anything else. ‘Anything that is unlike anything else is sad,’ says one of Walton’s uncharacters. Maybe. But in this case, it’s also perilously funny. Did I say it was gloriously written? Perhaps that’s how Walton gets away with it. I’m awaiting the final instalment with pleasurable trepidation.”
*
Kindle Edition
Published 2012/2013
ISBN 978-0-9791411-5-7
£2.15, Complete set (Books I-VI)
You are discreetly invited to update your Kindle version whenever necessary.
*
Read an interview with Jo L. Walton here.